The Show Must Go On
Cover story for International Arts Manager by Tania Casselle
Lake Constance is not just a backdrop to the Bregenzer Festspiele’s Floating Stage. Directors use the lake for deliberate impact – in Carmen’s first act the brawling girls tumble into the water, and Fidelio’s Don Fernando zooms to the stage by speedboat. There are accidental effects too – one tenor fell in while playing a ‘dying’ scene. Opera Director Eva Kleinitz says security divers pull performers out so fast they barely register the dunking.
Whatever the weather, outdoor venues are special enough to attract big audiences and big name performers. Tania Casselle looks at the unique potential and challenges of leading open-air venues in the US and Europe, including Sweden’s Dalhalla, Austria’s Bregenzer Festspiele, London’s Kenwood, The Greek Hellenic Festival, and America’s Filene Center/Wolf Trap, Red Rocks, and Santa Fe Opera.